| Papers [421-432] of 585 :: [Page 36 of 49] | | Go to page : <— 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 —> | |
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St.Madeleine or St. Mary Magdalene, 2002.
Description and discussion of the French church, St. Mary Magdalene.
2,900 words (approx. 11.6 pages), 8 sources, $ 106.95
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Abstract
St.Madeleine or St. Mary Magdalene is the most colossal and dignified church in the village of France, called Vezelay, which is a work of Romanesque architecture. It is one of the most profound Romanesque churches built in the 12th century with the then traditional style of sculpture and architecture.
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How Architecture Impacts Society, 2002.
An examination of how architecture impacts both the individual and the local environment.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
This paper examines how architecture is inseparable from its social purpose and from its environmental setting. This concept is demonstrated through first examining the function of architecture and how the impact of a specific function directly impacts those who come in contact with a given building, and then by describing how the building impacts the local environment.
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"Art and Architecture in Society: Production and Reproduction in Historical Contexts", 2002.
Reviews this book by John Ruskin and Charles Jencks on the role of the artist in relation to the times he lived in, focusing Victorian England and the 20th Centur.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
John Ruskin and Charles Jencks represent different historical conceptions of art and architecture. Ruskin in the Victorian-age of England and Jencks is in the more erratic eclecticism of the 20th century. Each critic offers particular views on the role of the artist in relation to society, however Ruskin's can be understood as one that desires to control the artist and Jencks recognizes that art is invariably a free expression of the individual. The responsibility is thus different: Ruskin believes the artist is responsible to society, and Jencks believes that society has a responsibility to the artist, in that artists represent a challenge to public perspectives and this challenge is always reflective of social change.
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People and Landscape, 2002.
Questions the relationship between people and landscape.
2,400 words (approx. 9.6 pages), 5 sources, $ 89.95
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Abstract
It is on this second level that this essay will be addressing the question of the relationship between people and landscape. It will be argued that the landscape serves human societies, in a sense, as a mirror that reflects our own values, prejudices and beliefs. As will be seen, this view of the landscape carries significant risks for both humans and the ecosystem as it often obscures our perception of the realities of the environment of which we are a part.
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Greek Art and Architecture, 2002.
Discusses the changes which took place in funerary art and architecture of the ancient Greeks.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
In funerary art, the Greeks from the Geometric period in the 8th century through Hellenistic times seem to go from the heroic and noble to the sentimental and mawkish. Is funerary art a clue to the emotional development of a people?
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Frank Stella, 2002.
Defines what makes Frank Stella such a great contemporary artist and architect.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
Frank Stella was born in 1936 in Malden, Massachusetts. Since the 1980s, Stella has completed a number of large-scale works for public spaces, confirming Stella's abiding interest in architecture. Change, profound change, has been one of the hallmarks of Stella's work. Stella then began etching and painting brightly patterned metal reliefs. Stella also names his works very carefully. Frank Stella's art is now and will always be a masterpiece.
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Meditation in Architecture, 2002.
Examines the need for architectural designs to include areas of meditation in their plans.
650 words (approx. 2.6 pages), 7 sources, $ 26.95
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Abstract
If meditation is interpreted as contemplation and the seeking of emotional quietude, the study of architecture should feature some attention to spaces that can be hoped to promote meditation, as meditation is sometimes part of the architect's own creative process. In the post-World War II era, the profession has been increasingly called upon to contribute to planning in buildings which comply with often highly conceptualized designs towards thematic transformations of whole areas.
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Two Roman Temples, 2002.
This paper compares two Roman temples - the Pantheon and Old St. Peter's.
2,150 words (approx. 8.6 pages), 7 sources, $ 80.95
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Abstract
As will be seen, while the two buildings were projects of Roman emperors designed to serve a spiritual purpose as well as to reflect the values of their respective communities, the buildings are radically different in design and function. It will be argued that these differences are due to both the different architectural periods in which these buildings were constructed, as well as the differences in the functions that they were intended to serve.
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The Cathedral of Notre Dame, 2002.
Provides a visual, spatial and social interpretation and analysis of the Cathedral of Notre Dame.
1,150 words (approx. 4.6 pages), 6 sources, $ 44.95
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Abstract
Art has always had a social aspect that is a representation of the inner functions of the culture from which art is created. Formal theories on the social nature of art, however, were not formed until the 16th century when the waxing and waning of artistic movements was seen to be affected by changing tastes in art patrons. In the 17th and 18th centuries, many different and diverse social theories emerged to draw connections between art and society - which created which? French socialist, Pierre-Joseph Proudhon, said that 'art for art's sake' was an impossibility and that art sprung, regardless of the artist's inspiration or motivation from the archetypal (a more modern term) forces that governed the society, often invisibly. Art stands, in many ways, as a social criticism as well as an honoring of the society. Art is a commentary, on some level, about the artist's perception of the world. That perception is shaped by the undercurrents of political, religious and social life of the particular time. Identity, in particular, in art is marked by a defined or hidden connection to the audience with recognizable symbolic language. In the case of architecture, we have the ultimate visual special creation which creates its own distinct sense of identity. The Cathedral of Notre Dame stands as one of the most significant structures embodying both visual and spatial constructs to modify the viewer's and visitor's perception of the self.
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"The Oresteia" and The Parthenon, 2001.
Examines Greek views and ideals through the play "The Oresteia" and the friezes from the Parthenon.
1,370 words (approx. 5.5 pages), 4 sources, MLA, $ 45.95
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Abstract
Using the art of the Parthenon and the play "The Oresteia", written by the Ancient Greek playwright Aeschylus, this paper determines a number of morals and ideals that the Ancient Greeks held in high esteem. In the first few paragraphs, the paper describes the various metopes in the Parthenon. It examines which gods and important Greek characters are depicted, what it is they are doing and how this represents a given Greek ideal. The paper then explores "The Oresteia" and uses important lines to either determine other Greek ideals or uses them to underscore the importance of an ideal already talked about in the segment on the Parthenon. Through comparing the Parthenon and "The Oresteia" the paper determines that the Greeks were a highly civilized people that believed highly in bravery, pride, civic duty, civility, order and justice.
From the Paper
"Greeks were the most civilized peoples in the fifth century BCE as well as the best fighters. This was, of course, according to their standards. Their success as warriors and the importance of the Apollonian way of life is inscribed on the walls of the Parthenon and within the pages of The Oresteia. The Parthenon?s gracefully sculpted friezes unite with ?schylus? trilogy and both are founded on pride and bravery. There is an obvious mindset, almost a moral code among the Athenians. They believed moderation and civility were the keys to success and it was up to them to impose this onto other races. An Athenian who didn?t abide by this code was a pariah of sorts, to say the least, and was portrayed as such through the Parthenon and The Oresteia."
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Richard Morris Hunt, 2002.
A biography of the life and work of the architect Richard Morris Hunt.
1,922 words (approx. 7.7 pages), 6 sources, APA, $ 61.95
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Abstract
This paper looks at the life of Richard Morris Hunt (1827-1895) who was born in Brattleboro, Vermont and is considered one of the most respected architects of his time. It discusses how he was awarded many professional honors and was one of the most highly acclaimed Americans of the nineteenth-century. It briefly examines Hunt?s education and career and evaluates his work in terms of his contributions to architecture, to New York City and his influence on city architecture. It also looks at some key works he designed and created including his most monumental work, the base of the Statue of Liberty. Pictures of some his works are included.
From the Paper
"The industrial age, however, had produced new methods and materials that opened up novel possibilities. Engineers and industrialists, for example, had perceived the potentialities of cast iron, long before architects began to speculate on its creative applications to their craft. The structural use of iron actually dates form the latter part of the eighteen-century, although at first it was found in bridges, cotton mills, and other functional buildings, where it was usually combined with brick, stone, or timber, or else used as a substitute for one or more of them. With the use of cast iron and steel the nineteenth- century was eventually to see the spanning of broader widths, the enclosure of more cubic space, and projections toward greater heights than had previously been possible. It was in this context that Hunt began his career as an architect, for it was in Europe that he learned to appreciate and respect the history of art in architecture ? and it was this European architectural history that he wanted to reproduce in America."
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Jail and Prison Design, 2002.
Summarizes two articles on the construction and design of security prisons.
716 words (approx. 2.9 pages), 2 sources, MLA, $ 25.95
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Abstract
The major concerns of jail and prison design and construction are the security issues. Two articles on the subject are summarized and discussed in terms of construction costs as well as design concepts "Accommodating the Unsavory Side of Society, Contemporary Jails and Prisons" (Tom Adams, 1998) deals with the problem of developing secure prisons, away from the general population and yet still keeping the costs low. "Deciding on a New Jail Design" (A.R. Beck, 1999) refers to the fact that staff safety and prisoner rights are issues that are pushed to the background when jails are designed.
From the Paper
"Architect Tom Adams writes that challenges of both jail and prison design include the creation of a secure building, safe for staff and detainee or inmate, that is a place to work and rehabilitate rather than become worse off, and to do all of this within the tightest budget possible. Design needs are different for the jail and the prison. The jail is a starting point for those entering the Criminal Justice System and must therefore handle all levels of security. Prisons are the place where everyone is held at least one year. New inmates usually enter at a medium security risk; maximum security accommodations must be supplied for those who acted out in jail. The prison attempts to offer education, training, and work opportunities and counseling (p. 3)."
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