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Walter Gropius And The Bauhaus, 2002.
Discusses the history and aims of this movement.
2,250 words (approx. 9.0 pages), 8 sources, $ 79.95
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Abstract
Discusses the history and aims of this movement. The Bauhaus and work of architect Gropius as a response to German industrialization and commerical standardization. Ideology of this New Architecture. Need for artists or architects to recognize their obligation to the community. The German Craft Association. Life, work and influence of Gropius.
From the Paper
"Walter Gropius and the Bauhaus
In the first decade of the twentieth century, the Deutscher Werkbund or "German Craft Association" was formed with the expressed aim of improving the aesthetic quality of manufactured goods and industrial architecture while producing both less expensively (Adams, p. 477). The creation of this Association was very much a response to two complementary pressures. On the one hand, Germany was undergoing a period of rapid industrial development in which the factory and the machine were replacing the cottage and the craftsman's hands as the locus and source of production. On the other hand, a sense that many of the machine-made products and machine-serving buildings and other structures were of less aesthetic quality (and greater cost) than was desirable was also emerging."
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European Public Spaces, 2002.
A description of two prominent examples of public space shaped by aesthetic and political forces: St. Mark's Square in Venice, Italy and the ULM, a German design and art college.
1,350 words (approx. 5.4 pages), 8 sources, $ 47.95
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Abstract
Describes two prominent examples of public space shaped by aesthetic & political forces: St. Mark's Square in Venice, Italy & the ULM, a German design & art college. Detailed descrption of the Square, its architecture & sculptures, its evolution, its place as the center of Venetial social life. Describes archtect Mies Van der Rohe's design for ULM; emphasis on environmental design.
From the Paper
"Public space is shaped by a number of forces, but primary among them is the use to which the space will be put, the political forces able to make this work, the aesthetic forces prevalent at the time, and changes that might take place through history. The Piazza San Marco and the ULM are public spaces both shaped by prevailing political and aesthetic forces and developed for specific purposes, and Piazza San Marco has been reshaped by history, while the ULM has not been in existence long enough to be so affected by time, though there have been changes in its short life just the same.
The Piazza San Marco, or St. Mark's Square, in Venice is not a strict rectangle but instead opens wider at the basilica end, thus enhancing the perspective and creating the illusion that it is even longer than it is. The square is bordered by..."
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Palenque, 2002.
A discussion of the importance of this Mayan architectural site in Mexico.
2,250 words (approx. 9.0 pages), 6 sources, $ 79.95
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Abstract
Discusses the importance of this Mayan architectural site in Mexico. Its variations from the Mayan norm. Its utilization of new forms of architecture and art-forms. Innovations. Describes the site. Composition of its structure. Excavations of the ruin. Discoveries, including a Pyramid. Intricate hieroglyphs found. Historical and cultural value of Mayan glyphs.
From the Paper
"Palenque is the most important Maya architectural site in Mexico, surpassing even Chichen-itza in its grandeur. Discovered by the Spaniards in the late eighteenth century, Palenque has amazed archaeologists for generations. Palenque?s main attraction for archaeologists lies in its many variations from the Maya norm. The Mayas who constructed the Palenque compound utilized new forms of architecture, unveiled new kinds of art-forms, and left behind perhaps the finest sarcophagus in all the Americas. Because of the sheer number and scope of the revelations that Palenque has provided on the Maya who built it, the site stands as arguably the most important Maya architectural site. Regardless of its standing among its peers, Palenque remains unique because of the hauntingly beautiful nature of the site?s plan and scope."
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Architect Richard Morris Hunt, 2002.
Discusses the life and body of work of 19th Centiury architect Richard Morris Hunt.
2,025 words (approx. 8.1 pages), 6 sources, $ 71.95
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Abstract
Discusses the life and body of work of 19th Century architect Richard Morris Hunt. His successful career; contribution to city architecture (especially New York City). Key works he designed and created. His aesthetic views. Background of 19th Century architecture & role of the architect. Impact of the Industrial Age. Appendix with illustrations of some of Hunt's major buildings.
From the Paper
"Richard Morris Hunt (1827-1895) was born in Brattleboro, Vermont into a prominent family. He went to study in Geneva, Switzerland and later he enrolled at the prestigious Ecole des Beaux-Arts in Paris France. In fact, he was the first American to study at this prominent institution.
Hunt was the most respected architect of his time and was popularly known as ?the dean of American architecture.? He was awarded many professional honors and was one of the most highly acclaimed Americans of the nineteenth-century. In the forty years of his practice, he designed and created buildings remarkable for their wide variety of styles and types. The fact that many of his buildings are now seen as national treasures is a tribute to the man and his work. As..."
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Architecture and the Christian Church, 2001.
A look at the evolution of the structure of the Christian church over the centuries and the many architecture styles and features it has encorporated over its lifetime.
1,149 words (approx. 4.6 pages), 2 sources, APA, $ 39.95
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Abstract
This paper follows the architectural progression of the Christian church from its earliest beginnings and examines how between the sixth century and the thirteenth centuries in Europe, there wre many advances and changes in the methodology of church building. In particular, the paper shows how Hagia Sophia from the Early Christian Period, Ste.-Foy from the Romanesque Period and St.-Denis from the Gothic Period can be compared and contrasted in the progression of the Christian design.
From the Paper
"Five hundred years later, between 1050 and 1120, Church building entered the Romanesque style of architecture. The church of Ste.-Foy in Conques is a perfect example of this style. Constructed as a pilgrimage church, it is rather small but has a large transept. Having to deal with a large traffic flow, the biggest innovation of the Romanesque design was the radiating chapel scheme. Unlike Hagia Sophia, which contained an apse under each semi dome, Ste.-Foy had an apse from which a series of three chapels radiated. Flanking the apse on either side are two more, slightly larger chapels, for a total of five. This use of an ambulatory allowed for maximum traffic flow."
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Pantheon, 1995.
Discusses this Ancient Roman domed temple's purpose, construction, structure, materials and statuary.
1,575 words (approx. 6.3 pages), 5 sources, $ 55.95
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From the Paper
"The Pantheon in Rome is the most complete surviving building of ancient Rome. Since the Renaissance the great dome and its huge interior space have made an indelible impression on anyone who saw it and the structure became one of the most influential buildings in history. The dome of the Pantheon, or Rotunda as it is also called, covers a span that was never surpassed by more than a few feet until the use of steel and reinforced concrete much such expanses routine. The scope of the architect's achievement was impressive by Roman standards and remained just as impressive for many centuries. There is some debate over the precise function of the great temple. But the building was clearly the culmination of a new interest in architecture as contained space rather than as external structure. This volumetric approach was to determine the course of Roman ..."
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Frank Lloyd Wright and Japanese Architecture, 1995.
Traces the Japanese influence on theories, methods and works of this American architect.
1,800 words (approx. 7.2 pages), 8 sources, $ 63.95
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From the Paper
"Throughout his life Frank Lloyd Wright (1869-1959) denied that Japanese architecture had any influence on his own work. He did, however, allow that Japanese prints had exerted an important influence on him. Curiously, Wright has often been taken at his word on this subject, even though there is a great deal of evidence that shows he was, for whatever reason, creating a personal legend in which his creativity owed very little to one of its major sources. The visual evidence of the work itself, scholarly digging into possible influences, and even the nature of the Japanese prints that were admitted to be an influence all demonstrate that Wright was protesting too much. Japanese architecture, whether it was seen in photographs, in person, in the prints, or even seen through the eyes of a mentor, was a major influence on Wright's creation of his theory of organic ..."
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Architecture and Computers, 1995.
Examines the impact of technology on architectural design and construction, examples, advantages, imaging, training and the future.
3,825 words (approx. 15.3 pages), 9 sources, $ 135.95
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From the Paper
"Architectural traditionalism, with its emphasis on handwork, drawing and precise modeling, has been slow to turn to computers. But now that the rush has begun, computer visualization is opening new areas for design, community integration and an emerging architectural role in cyberspace's electronic world. In the studio and on the building site, firms of all sizes are finding that ability to use the right computer software has become indispensable for gaining clients and making practices easier to run. A look at the field presents many examples.
With its rounded curves, jagged edges and multiplicity of upthrust geometric shapes, the model for the Walt Disney Concert Hall's addition to the Los Angeles Music Center looks more like a city in the clouds than a complex whose distorted geometric shapes have been plotted on a computer screen. Conceived as an ..."
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Public Housing Projects, 1995.
This paper is a research proposal to determine bases for location decisions for public housing projects: Opposition from the rich, well-being of tenants or economics.
2,025 words (approx. 8.1 pages), 11 sources, $ 71.95
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From the Paper
"The location of public housing projects is a contentious issue in the United States. Advocates for the economically disadvantaged contend that society would be better served if affordable public housing was located out of the inner cities and in more affluent neighborhoods. Critics of policies affecting the location of public housing projects frequently charge that inner city locations are selected because of strong opposition from the residents of more affluent neighborhoods. Defenders of inner city locations for public housing contend that ... "
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Le Corbusier's "The City of Tomorrow and its Planning", 1995.
This paper assesses Le Corbusier, architect and author's attitudes and biases toward urban architecture in his book .
1,350 words (approx. 5.4 pages), 1 source, $ 47.95
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From the Paper
"The purpose of this research is to examine Le Corbusier's views in The City of To-Morrow and Its Planning. The plan of the research will be to discuss Le Corbusier's attitudes and biases regarding such issues as the appropriate means and concepts employed in the well-conceived creation and construction of buildings and other facilities in urban centers, with a view toward evaluating their content and significance.
Le Corbusier's principal focus in The City of To-Morrow and Its Planning is on the necessity for the urban architecture of the twentieth century to behave functionally and logically, in line with the fact that in the current period the machine and industry are decisively triumphant and that they reflect man's passion for order and manageability in an otherwise chaotic world. Additionally, Le Corbusier conceives of an urban ... "
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History of American and Californian Architecture from 1860 to 1915, 1994.
An examination of theories and applications, examples and architects (focuses on Bernard Maybeck), styles, influences and schools (focuses on the Arts and Crafts movement in California).
7,425 words (approx. 29.7 pages), 21 sources, $ 135.95
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From the Paper
"American Architectural History, 1860.1915
In the late nineteenth century, many artists and architects in America were influenced by the ideas of transcendentalism. These ideas, as contained in the writings of Henry David Thoreau, Ralph Waldo Emerson and Walt Whitman, were based on a belief in individualism and self.reliance. Transcendentalism called for a return to nature, and it urged its followers to adopt a simple and honest way of living. This return to simplicity and human values was seen as being a reaction to the problems of rapid industrialization. Regarding architecture, the philosopher Ralph Waldo Emerson felt that buildings should be expressive of nature and natural forms (Burchard and Bush.Brown, 1966, p. 59). In this way, he rejected the classical approach to architecture, which strove for standardized proportions in building design."
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Memphis Design Studio in Milan, Italy, 1994.
The life and architectural style and influence of the founder Ettore Sottsass, including leading figures, ideology and criticism of.
3,150 words (approx. 12.6 pages), 6 sources, $ 111.95
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From the Paper
"Introduction
The Memphis design studio in Milan was started in 1979. As with many European design studios and movements, the Memphis design group appeared to have a greater tolerance for abstract design than did American groups of the time, but in fact the European groups generally looked to American style of the 1950s for inspiration.. Ettore Sottsass was the leading figure of the Memphis design group, and much of what he embodied in that group derived from his earlier experiences as a designer. The ideas he implemented in the design group were ambitious and adventurous. The designs produced were highly successful, but for Sottsass this success was itself only a beginning. While the public clamored for more, he was already looking to the next mode of expression. The Memphis design group had a considerable..."
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