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Acupuncture, 2007.
An examination of the target groups and benefits of acupuncture.
1,335 words (approx. 5.3 pages), 5 sources, MLA, $ 44.95
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Abstract
This paper examines the practice of acupuncture. It analyzes the history of the practice, dating it back to 1000 B.C.E. and follows its development up until today. The paper then explores the target group for acupuncture and discusses some of the evidence supporting its success in treatment. The paper ends with recommendations for people suffering from pain, as well as certain disorders of the nervous system, who have not found relief from traditional medicine.
Table of Contents:
Historical Background
Target Group and Provider of Acupuncture
Acknowledgement of Research Activities
Acupuncture and the Audience
The Best Source
Financial Aspects of Acupuncture
Recommendations
From the Paper
"Despite all of this information, acupuncture is still considered as a "pseudo-science" by many contemporary Western doctors and physicians, yet many people who have undergone acupuncture treatment have reported remarkable recoveries. For the general audience, being those who receive acupuncture, current information supports the idea that acupuncture "relieves many types of chronic pain, the nausea associated with chemotherapy, and alters the functions of the immune system for the better" ("Acupuncture Illustrated," 1994, 56). As to the nursing profession, since acupuncture is not considered as a viable means of treatment by many doctors, most nurses would probably be very reluctant to attempt acupuncture on a patient, yet according to I.L Bonta, many nurses, out of curiosity and the encouragement of their friends and relatives who have undergone acupuncture, "tend to be far more open than the medical authorities when it comes to taking a course in acupuncture from a certified acupuncturist" (2002, 223). Thus, nurses could most probably assist their patients much better if they were to take to heart the information available on acupuncture and use it to their patient's advantage."
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Acupuncture, 2007.
An examination of the target groups and benefits of acupuncture.
1,335 words (approx. 5.3 pages), 5 sources, MLA, $ 44.95
»
Click here to show/hide summary
Abstract
This paper examines the practice of acupuncture. It analyzes the history of the practice, dating it back to 1000 B.C.E. and follows its development up until today. The paper then discusses who the target group is for acupuncture and discusses some of the evidence supporting its success in treatment. The paper ends with recommendations for people suffering from pain, as well as certain disorders of the nervous system, who have not found relief from traditional medicine.
Table of Contents:
Historical Background
Target Group and Provider of Acupuncture
Acknowledgement of Research Activities
Acupuncture and the Audience
The Best Source
Financial Aspects of Acupuncture
Recommendations
From the Paper
"Despite all of this information, acupuncture is still considered as a "pseudo-science" by many contemporary Western doctors and physicians, yet many people who have undergone acupuncture treatment have reported remarkable recoveries. For the general audience, being those who receive acupuncture, current information supports the idea that acupuncture "relieves many types of chronic pain, the nausea associated with chemotherapy, and alters the functions of the immune system for the better" ("Acupuncture Illustrated," 1994, 56). As to the nursing profession, since acupuncture is not considered as a viable means of treatment by many doctors, most nurses would probably be very reluctant to attempt acupuncture on a patient, yet according to I.L Bonta, many nurses, out of curiosity and the encouragement of their friends and relatives who have undergone acupuncture, "tend to be far more open than the medical authorities when it comes to taking a course in acupuncture from a certified acupuncturist" (2002, 223). Thus, nurses could most probably assist their patients much better if they were to take to heart the information available on acupuncture and use it to their patient's advantage."
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Religion and Myth, 2007.
A discussion on myths, legends and folk tales in Eastern religions.
3,047 words (approx. 12.2 pages), 7 sources, MLA, $ 89.95
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Abstract
The paper examines how myths, legends, and folk tales have been a main force in nearly all religious doctrines throughout history, including those of Eastern religions such as Sikhism, Buddhism, Shinto, and others. The paper discusses how these stories, often passed down through the generations, both verbally and in written doctrines, serve to help practitioners cope with the complex world in which they live. This paper focuses on how these types of stories affect the lives of followers, and how those followers use the lessons within these myths to teach others about their values and religious practices.
From the Paper
"Hindu myths also teach the values of society, which allow the followers to understand how and why their teachings operate within their world. For example, the myth of Mrigari, a non-violent hero, focuses on the relationship between non-violent actions and concepts of Hinduism such as reincarnation and positive karma. In Hindu societies, actions are to be viewed through consciousness, rather than through the physical world (Narayan, 1989). By combining the myth of Mrigari, who is changed in life through his spiritual teacher, with the concepts of the myth, such as the transformation from a violent individual to that of an extreme peacekeeper, the myth serves to explain how non-violent actions can lead the follower of Hinduism to compassion and empathy."
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"M. Butterfly", 2007.
A discussion on the exotic, feminine Orient in the Western imagination, as depicted in David Henry Hwang's drama "M. Butterfly".
1,228 words (approx. 4.9 pages), 5 sources, MLA, $ 41.95
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Abstract
The paper discusses how "M. Butterfly" is a play about the power of stereotypes to do harm, both to the person and the culture they are inflicted against, and also against the people who hold such stereotypes. The paper describes how, at the end of the play, Gallimard is destroyed because he realizes his life was based upon a lie, just as China was harmed by the lies and exploitation of Western colonialism. The paper examines how the conflict of gender, national, and identity issues are dramatically depicted in David Hwang's "M. Butterfly," when the French diplomat Rene Gallimard falls in love with a feminine image of the East, in the persona of the actress Song Liling.
From the Paper
"Gallimard has a psychological as well as a national and gender based need to see Song as feminine. Thus, the gender disguises of the play do not merely invert stereotypes of male and female, Asian and West. They also destroy the security of Gallimard's own identity as a strong, male Westerner with power. Song Liling is not only a man. Song uses Gallimard's own cultural stereotypes to exploit the Frenchman. Gallimard begins the play thinking he is the Western, White man taking advantage of the virginal 'Oriental' maiden. But like the opera's "Madam Butterfly," Gallimard ends the play abandoned, disgraced, cut off from his countrymen and finally suicidal. Thus Gallimard's own secure identity as a powerful man has been so undercut, he cannot live with himself, because he no longer knows who he is as a person."
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India's Infrastructure, 2007.
This paper examines India's infrastructure to determine the possibility of introducing the Stanley Hand Tools company.
1,498 words (approx. 6.0 pages), 3 sources, MLA, $ 49.95
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Abstract
The paper analyzes the infrastructure, both socially and economically, in India and the challenges and potentials that exist in the marketplace. The paper determines that while the Stanley Group may experience some immediate barriers to marketplace entry, the possibilities for entering the marketplace at this time, while the hand tool market is still fragmented and gaining a foothold in the industry, should pay off well for the Stanley Hand Tools company in the future. The paper explains that India is a country that is growing at an amazing rate in terms of both population growth, infrastructure growth and accompanying GDP growth.
Outline:
Objective
Introduction
Importance of Understanding Infrastructure
Stanley Hand Tools-Market Entry and Market Expansion
Risk Factors For Stanley in the Marketplace
Market Expansion
Summary and Conclusion
From the Paper
"The public and private works make the provision of roads, dam and canal works including irrigation and drainage provisions. Just as important is the transportation sector within a country which is inclusive of the railway system both in the cities and in the rural areas, interurban railways, ports and waterways and airports and other forms of transportation. Finally, the financial and banking services sector direct capital spending in the best direction. There is no way for expansion to take place in a country until a good base of infrastructure is in existence and this must be accompanied by economic growth which provides support for growth of the infrastructure and further development within the country."
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The Devaluation of the Dollar, 2007.
A discussion on the the devaluation of the American dollar and its impact on India.
1,548 words (approx. 6.2 pages), 7 sources, MLA, $ 50.95
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Abstract
The paper discusses how the United States dollar has declined in value in the global economy. The paper examines how this devaluation has caused, and may continue to cause, problems in multiple nations around the world whose economy, at least partially, depends upon the value of United States currency. This paper explores the drop in value of the U.S. dollar, and examines the effects of such a drop on a particular country of interest, that of India. The paper concludes that, for India, the outsourced IT sector and many export industries, such as steel, software, and other goods and services industries, are and will continue to be harmed by the weakened dollar.
From the Paper
"In addition to simple increases in prices for offshore U.S. companies, many of the IT service contracts and other offshore contracts are being redesigned, in an effort to share the burden of a devalued dollar between the U.S. holding company and the outsourced Indian corporation. By raising prices, but locking in those prices for specific time frames, or by giving a low introductory rate for outsourcing, while including formulas for gradual increases, these outsourcing firms can effectively balance the need for U.S. business with the growing concern over the weak dollar (Thibodeau and Hoffman, 2004)."
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Korean Health Care, 2007.
An overview of Korean healthcare, demographics and nursing.
799 words (approx. 3.2 pages), 8 sources, MLA, $ 28.95
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Abstract
The paper discusses how healthcare issues facing Korean nurses are much the same as those facing nurses in the U.S., including addressing the needs of an aging population. The paper analyzes how both Korean and American officials are working on designing more quality-focused, community-based, cost-effective health care programs. The paper examines how nursing preparation in Korea concentrates on improving quality care and preparing nurses to deal with an increasingly technology based environment, much as is the case in the U.S.
Outline:
Overview
Nursing in US Vs. Korea
Insights Overview
References
From the Paper
"The role of nursing care staff within Korea is much the same as that in the U.S. with nursing programs dedicated toward addressing the continuing health care needs of a society that is consistently changing and growing. More and more nursing programs are preparing nurses for roles including caring for an elderly population; important components of nursing care programs in Korea include critical thinking, moral and ethical virtues instruction, theoretical excellence training, creativity and application of tools in the healthcare environment (Korea University, 2006). "
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Film: "Rhapsody in August", 2006.
This paper analyzes Akira Kurosawa's film "Rhapsody in August", which focuses on three generations of Japanese and Japanese-Americans and how the bombings of Nagasaki affected their lives.
1,395 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
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Abstract
This paper explains that Akira Kurosawa's film "Rhapsody in August" is set 40 years after Nagasaki was bombed and the main character is Kane, a grandmother who lost her husband in the bombing. The author points out that the film shows how the people of more recent generations, the grandchildren, tend to forget the real effects of the bombing because it has no personal significance to them. The paper stresses that Akira Kurosawa's message is that the human toll of war can last for a lifetime without ever being resolved.
From the Paper
"Another related issue raised in the film is the complicated relations that continue between the nations involved in war. The film shows that in theory, the war has ended and there are positive relations between America and Japan. However, there are some ongoing issues affecting people that are not as easy to manage. This is seen by the grandmother who has to struggle between accepting America and its positive relations with Japan and hating America for the actions it took that killed her husband. This is seen by the Hawaiian cousins who become upset when the grandchildren mention Nagasaki."
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Legacy of Chingis Khan, 2007.
This paper describes the political, cultural and linguistic impact of the Mongol leader, Chingis Khan.
1,227 words (approx. 4.9 pages), 4 sources, MLA, $ 41.95
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Abstract
This paper explores the role of Chingis Khan in shaping Central Asia. Also cited is his role in destroying the ancient cultures, ethnic and linguistic groups of the region. The paper further describes Chingis Khan's conquests and how they resulted in the fusion of many Eastern and Western elements. Nevertheless, the dream of an empire, combined with an ability to hold together or reproduce that empire, created the modern situation of fragmentation and warfare. The modern states of Central Asia still live with, and struggle with, the legacy of Chingis Khan.
From the Paper
"In his day, Chingis Khan was the scourge of God. His hordes toppled empires and destroyed civilizations. Yet the great Mongol leader also laid the groundwork for much of modern Central Asia. The Mongol Conqueror set in motion the processes that led to the establishment of today's ethnic groups, and to the creation of the Region's contemporary linguistic picture. New peoples and languages replaced old peoples and languages, or mixed with them to produce today's nationalities. The descendants of Chingis Khan forged a new political landscape. New states were born. Many of their leaders would claim descent from their famous - or notorious - ancestor. Religion, too, was affected as Islam replaced many of the faiths that had formerly dominated the vast area of mountain, steppe, and desert. A bridge was formed between Middle East and Far East and the stage was set for today's promises and problems. "
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Japan's Modern Myths, 2007.
This paper discusses Japan as viewed in 'Japan's Modern Myths: Ideology in the Late Meiji Period' by Carol Gluck.
849 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
In this article the writer discusses Professor Carol Gluck's views regarding Japan as portrayed in Chapter 5 and 6 of 'Japan's Modern Myths: Ideology in the Late Meiji Period'. The writer points out that Professor Gluck argues that Japanese society was and is a society founded upon the values of the collective, rather than upon the individual. Further, the writer notes that her view of Japanese civic virtues is extremely broad and suggests that on every level of public and personal morality, the nation is given greater value than the lives of its citizens. The writer then discusses that, in Chapter 6, Gluck paints the period as a constant struggle between the forces of nationalism and collectivism versus the "social fever" for modernity, or Westernization, that is still present and, in Gluck's opinion, was a natural, human impulse in contrast to the expressed will of the state.
From the Paper
"Gluck suggests that the Meiji policies of the late 19th and early 20th century Japanese government leading up to World War II made civil obedience and national sacrifice a religious calling. Gluck's views of the causes of World War II thus take on a very socially deterministic cast. In her view, because the Emperor was divine, everything he did and was done in the name of Japan was seen as right and just. In terms of Japanese religion, although Gluck argues that although it might seem Buddhism had had a strong religious presence in Japanese morality, she believes this should not be over-emphasized, stating that Buddhism was often perceived as a foreign religion by the state In contrast, Gluck stresses the emphasis on the indigenous Japanese religion Shinto as a state religion. She sees Shintoism, as opposed to the imported philosophy of Buddhism, to form the true philosophy of the civil cult of the state. She points out that the Shintoists continued to press their claims for the institutionalization of Shinto as a separate office of state, apart from Buddhists."
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Bushido, 2007.
This paper discusses the Samurai philosophy of Bushido and Hiroshi Inagaki's "Samurai Trilogy."
2,490 words (approx. 10.0 pages), 11 sources, MLA, $ 75.95
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Abstract
The paper relates that the Samurai philosophy of Bushido has been the subject of much study and has been embodied in writings intended to show the Samurai class what the ideal for behavior should be. Many of the elements of this philosophy have been widely accepted as ideal for living and beneficial in a modern context as they were in the past, while other aspects are seen as specific to a time and place. The ideals are seen in dramatic form in Hiroshi Inagaki's "Samurai Trilogy," as it is called in the U.S. and specifically in the third of the films, "Bushido." The paper discusses these three films; "Miyamoto Musashi," "Musashi Miyamoto Sequel: Duel at Ichijoji Temple" and "Bushido."
From the Paper
"The three films by Hiroshi Inagaki begin in 1954 with Miyamoto Musashi, the name of the central character, also known as Takezo. Takezo is an orphan and something of a problem in his village, until he and his friend join the army to go into battle. They lose this first fight and then seek refuge in the home of a widow and her daughter. Takezo's friend takes up with the widow and goes away with them, while Takezo returns to his village. His friend's family does not believe him and has him arrested for treason, and he is eventually sentenced to study the samurai code. He falls in love with the virtuous Otsu, formerly betrothed to his friend, and she vows to wait for him when he sets off to be a knight. This film sets up the character and his background and also introduces the samurai code, which will become such an important element in his life."
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Chinese Art, 2007.
This paper looks at art in Chinese history and shows the common denominator of classicism and opposition to change.
1,092 words (approx. 4.4 pages), 6 sources, MLA, $ 38.95
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Abstract
The paper explores the Tang Dynasty which was commonly regarded by many Chinese as the most glorious period of Chinese history and the classical era of Chinese art. The paper discusses how the Chinese artistic style remained relatively uniform, in contrast with the levels of transformation evident in Chinese society and history of the period. The paper examines the art during the Five Dynasties and Ten Kingdoms, the Northern and Southern Song Dynasties, the rule of the Mongols and the Ming and the Qing Dynasties. The paper explains that during all these time periods there was a climate that discouraged rather than encouraged radical innovations that could be called revolutionary in the traditional, Western sense of an artistic revolution.
From the Paper
"The open ports during the Tang Dynasty meant that China was exposed to new ideas, from abroad, and the arts, including sculpture and painting, as well as poetry and the art of the traditional Chinese opera. All of these arts were nationally supported. Yet this brief period of openness ended almost as quickly as it began. ("Tang Dynasty," Classical Imperial China, 2006) Also, the concentration of artistic support near the Imperial Court limited the levels of innovation to a fairly select group of artists."
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