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Social Control Theory, 2007.
An analysis of the character of O-Ren Ishii from "Kill Bill Vol. 1," in the context of social control theory.
730 words (approx. 2.9 pages), 1 source, MLA, $ 26.95
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Abstract
This paper analyzes the character of O-Ren Ishii in the film "Kill Bill Vol. 1," directed by Quentin Tarantino. It specifically looks at O-Ren's character as applied to the context of social control theory and discusses the propensity that some people appear to have to commit crimes. The paper analyzes whether this trait is in-born or developed and discusses its theories in relation to the depiction of the character of O-Ren.
From the Paper
"O-Ren's character, then, displayed the propensity of an individual to engage in criminal activities once exposed to this environment at an early age. Growing up as a prostitute and relating with other members of organized crime groups, O-Ren's moral values were radically different from society's norms. She did not develop any value for life, thus making it easy for her to assassinate and kill people; in fact, she has deep respect for killing, to the extent that she would prefer fighting fairly against The Bride/Black Mumba in order to prove that she is indeed a skilled assassin/killer."
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Film: "The Lion in Winter", 2007.
This paper discusses the historical context and accuracy of the
film "The Lion in Winter" (1968), directed by Anthony Harvey and based on the original stage play by James Goldman.
3,050 words (approx. 12.2 pages), 10 sources, MLA, $ 89.95
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Abstract
This paper describes the great historical epic film,"The Lion in Winter" about the later life of Henry II Plantagenet, King of England, from 1142 to 1189 A.D, when Henry was embroiled in a family dispute concerning his successor to the throne of England in 1183. The author believes that, because of its realistic portrayal of the characters, plot, setting and time frame, this film stands out as one of the best historical epics produced during the 1960s. The paper stresses that (1) the portrayal of the Plantagenet family is considered to be a true representatation of the actual persons and (2) the location of the film is in or near the King's residence in England.
Table of Contents:
Introduction
Filmic Narrative
Historical Context
Historical Accuracy
Critical Assessment
From the Paper
"Regarding Henry II's family, it could be said that within this often turbulent and violent arena, "war was their pleasure, but marriage was their business." This war aspect of the Plantagenets was based in part on Henry's complete unwillingness to share his special heritage with his wife and sons, a heritage of the Anglo-Saxon line via his grandmother Matilda and his father as the hereditary Count of Anjou. Also, through his marriage to Eleanor, Henry II laid claim to Aquitaine and other areas of France, including Brittany, Normandy, Gascony, Toulouse, Maine and Poitou, all of which made up the Angevin Empire."
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"Lord of the Rings", 2007.
A discussion on the movie, "Lord of the Rings: The Fellowship of the Ring" directed by Peter Jackson.
1,154 words (approx. 4.6 pages), 4 sources, MLA, $ 39.95
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Abstract
This paper compares and contrasts the Frodo and Sam, characters from Tolkien's works "The fellowship of the Rings", as represented in the film. It explores their relationship, and their importance within the movie as a whole.
From the Paper
"Frodo himself, the protagonist of The Lord of the Rings trilogy (both the Tolkien novels and all three film versions) once Bilbo hands over the ring to him, is modest; soft-spoken, and unassuming, like other Hobbits, but nevertheless clearly possesses exceptional intelligence; internal wisdom; and good character: qualities that serve him well (and prove necessary) on his journey into temptation and danger . exceptional character. Frodo is also a friend of the Elves, knowledgeable in their language and a lover of their songs. Like Bilboor any other good Hobbit Frodo loves good food and simple comforts, but he is also thoughtful and curious and has a wisdom and strength of character that set him apart."
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Multiculturalism and the Canadian Documentary, 2007.
This paper discusses the issue of multiculturalism in Canadian film.
2,435 words (approx. 9.7 pages), 6 sources, MLA, $ 74.95
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Abstract
In this article, the writer points out that Canadian documentary directors have used the genre to effectively illustrate facets of multiculturalism and style that would be lost in the non-documentary film-making world. The writer discusses and compares three films in this paper. The writer describes that Simcha Jacobovici and Roger Pyke present a striking memorandum that illustrates the pain and struggle of religious persecution in the film 'Expulsion & Memory: Descendants of the Hidden Jews'. Similarly, the writer looks at Alanis Obomsawin's 'Richard Cardinal: Cry from the Diary of a Metis Child'. The writer also discusses 'Shooting Indians: A Journey with Jeffery Thomas' by Ali Kazimi that quietly illustrates one man's struggle to change the stereotypical image of Native cultures and people in North America, while also reflecting on the relationship of culture as the director shares his cultural background. The writer concludes that through different uses of the documentary genre, all three films effectively use the factual background to establish strong views of multicultural identity.
From the Paper
"As a film style, documentaries are tied to stricter guidelines than other films because they must adhere to fact to some respect. While many filmmakers might see this as a problem or hurtle, well-made documentaries take advantage of this factor as strength. American director St. Clair Bourne explains that the making of a fictional movie is much more demanding because the background and context must all be created from scratch; he finds documentaries to be more about interpretation and bringing out the real story that already exists within a context. This is the case with the three films discussed here, though each film faced different challenges in creation, and succeeded in different aspects. Each of these films takes the raw material of the history involved and shapes it to create a story with whatever intentions exist from the directors."
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Mythical Opposition in Western Film, 2007.
An analysis of John Belton's theories of the western movie genre, focusing on mythical opposition of nature and characters in the movie "Shane".
1,615 words (approx. 6.5 pages), 2 sources, MLA, $ 52.95
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Abstract
This paper analyzes the western movie genre. The paper specifically examines John Belton's theories in relation to how nature and the main character are engaged in mythological opposition using the 1953 movie "Shane." The paper describes the movie and discusses how the various scenes add to the theme of mythical opposition.
From the Paper
"Every good western movie has a final showdown. The final showdown symbolizes the final battle between the two opposing forces of the movie. In this case the Ryker gang symbolizes chaos and stands in the way of the march of civilization. The Ryker gang is as untamed as the forces of nature. In the final showdown of Shane the Ryker gang and the homesteaders Knight in shining armor come face to face. The scene takes place in a saloon and Shane is at first outnumbered. He stands very little chance of success, yet it feels compelled to continue because he feels that he must win this one for the homesteaders. The Ryker gang cannot prevail and continue with their reign of terror. Shame faces an enemy of mythological proportions and yet somehow manages to overcome them in the final scene."
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"The Importance of Being Earnest", 2007.
A comparison of the effectiveness of Oscar Wilde's play "The Importance of Being Earnest" with the film directed by Oliver Parker.
1,630 words (approx. 6.5 pages), 2 sources, MLA, $ 53.95
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Abstract
This paper discusses how well the 2002 film directed by Oliver Parker, "The Importance of Being Earnest" dramatizes the original play written by Oscar Wilde. The paper describes the basic plot of the play and then discusses instances where the plot is not able to be played effectively in the film. It discusses the reasons why these acts are less effective in film than in the dialogue of the play and why certain imagery in the film does not work well.
Table of Contents:
Introduction: Synopsis
Act I: Bunbury, Interrogation and Refusal Scenes
Act II: An Interjection Of Ballooning And Flashbacks In The Cicely's Education, Diary Writing, And Fight Scenes With Gwendolyn
Act III: The Introduction of Archery, Unraveling, and Christening
Conclusion--Summing Up
From the Paper
"The drive to physicalize the verbal wit of the Wilde play is made further evident in the Act II war of words over Gwendolyn and Cicely's tea party, where the jazzy music on the soundtrack and the clattering cutlery draw the viewer's attention away from what the characters are actually saying that is clearly not in the play. (Fifth difference) Finally, the film's dramatization of Act II includes a ballooning sequence that seems completely at odds with the plot, and serves only to show Algernon in different attire than what Algernon wears in the drawing room that is not in the play. (Sixth difference) While it is helpful to show the characters assume different costumes in different locations, just as they assume different personas, the activity is so strange to the eye; it is hard to focus on exactly what is occurring on the level of dialogue during the sequence."
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Jackie Chan, 2007.
A discussion on Jackie Chan's professional life.
1,166 words (approx. 4.7 pages), 1 source, MLA, $ 40.95
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Abstract
This paper discusses what made Jackie Chan an international movie star. It discusses his abilities as an action hero. The paper also explains that his image, persona and comic abilities are attractive to a wide range of people and set him apart from others in his field. Finally, the author mentions Chan's role in Rush Hour which launched him as a star.
Outline:
Introduction
Martial Arts Action Hero
The Guy Next Door Image
The Charming Persona
Comical Aspect
Conclusions
Reference
From the Paper
"Jackie today is one of the most recognisable global film stars. He established himself as one of the Asia 's biggest star known and recognized all over the world. He has always been considered a replacement to Bruce Lee. Jackie has been a big star in his home country but he has been struggling to find a place in Hollywood mainstream cinema. His breaks into Hollywood came in the form of Rumble in the Bronx and Jackie Chan's First Strike. These flicks introduced him in tinsel town but it was his movie Rush Hour that established him as a star in Hollywood with a definite persona. The movie became a runaway success and made millions at the box office. Jackie also became one of the highest paid actors in the movie industry."
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Successful Movies, 2007.
A discussion on what constitutes a "successful" movie, comparing and contrasting the movies "Scream" and "I Know What You Did Last Summer".
1,402 words (approx. 5.6 pages), 6 sources, MLA, $ 46.95
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Abstract
The author of this paper discusses Tim Dirks' criteria for movie success, and suggests that "Scream" (1996) is a more successful movie, financially and artistically, than "I Know What You Did Last Summer" (1997). The paper analyzes how "I Know What You Did Last Summer" is a financially successful film, in terms of box office draw and in terms of having a sequel, which is one sign of financial success. The paper further analyzes how "Scream", on the other hand, is a successful movie in more than just financial ways, including artistic innovation and outstanding acting.
From the Paper
"Some other successful movies "provide hidden meanings, new psychological truths, great visual moments, mythic resonance, philosophical insight, lyrical beauty, fresh insights into how to view the world, or enlightened understanding", e.g., The Big Sleep (1946) or Chinatown (1974). Others (e.g., Steven Spielberg's break-out movie Jaws (1975) are simply huge financial blockbusters.
In terms of the relative success of two other movies, Scream (1996) with its $100+ million box office gross (Berardinelli) and I Know What You Did Last Summer (1997), which had a cumulative domestic box office of $69 million("The Movie Business in 1997") are both successful in terms of one of Dirks' criteria for movie success: box office draw."
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Film: "Rhapsody in August", 2006.
This paper analyzes Akira Kurosawa's film "Rhapsody in August", which focuses on three generations of Japanese and Japanese-Americans and how the bombings of Nagasaki affected their lives.
1,395 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
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Abstract
This paper explains that Akira Kurosawa's film "Rhapsody in August" is set 40 years after Nagasaki was bombed and the main character is Kane, a grandmother who lost her husband in the bombing. The author points out that the film shows how the people of more recent generations, the grandchildren, tend to forget the real effects of the bombing because it has no personal significance to them. The paper stresses that Akira Kurosawa's message is that the human toll of war can last for a lifetime without ever being resolved.
From the Paper
"Another related issue raised in the film is the complicated relations that continue between the nations involved in war. The film shows that in theory, the war has ended and there are positive relations between America and Japan. However, there are some ongoing issues affecting people that are not as easy to manage. This is seen by the grandmother who has to struggle between accepting America and its positive relations with Japan and hating America for the actions it took that killed her husband. This is seen by the Hawaiian cousins who become upset when the grandchildren mention Nagasaki."
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Ritchie Valens, 2007.
A discussion of Luis Valdez's 1987 movie, "La Bamba", about Ritchie Valens.
752 words (approx. 3.0 pages), 3 sources, MLA, $ 26.95
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Abstract
The paper describes how Luis Valdez's movie, "La Bamba" provides a fairly accurate account of the social trials endured by Ritchie Valens during his short life. The paper discusses how Valdez wrote a compassionate screenplay about Valens' rise to fame, his relationship with his family and the prejudices that he faced during that era. The paper explains that Valens succeeded in becoming famous for his music by combining the qualities of his Mexican-American heritage and creating a new unique sound. Valens succeeded in becoming part of both cultures; he was the first Latino teen idol.
From the Paper
"Valens was just shy of his eighteenth birthday when he died in a plane crash with Buddy Holly and the Big Bopper while touring. Valdez's movie opens with two planes exploding in the air while children are playing on a playground. Although this scene adds a note of sadness at the very beginning of the movie, it also provides the audience with an omen, a prediction of what is to come. However, it also is the first clue that the audience receives concerning Valens' fear of flying, and his superstitious nature, much of which was rooted in his Hispanic heritage."
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Gender Roles, 2007.
An examination of gender roles in in Morocco and Algeria.
2,460 words (approx. 9.8 pages), 6 sources, MLA, $ 74.95
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Abstract
The paper discusses how, over the past several decades, two neighboring Northern African states, Algeria and Morocco, have taken different paths in their views and treatment of families and genders. The paper examines how, as a result of the specific differences in the treatment of gender, the male and female genders have assumed different roles in each of these countries. In this paper, several books and films are discussed and analyzed in order to better describe the topic of gender roles in Morocco and Algeria.
Outline:
Introduction
Portrayal of the Gender Roles in Books
Common Threads of Gender Roles
Conclusion
Works Cited
From the Paper
"There are deeper cultural clashes that are depicted in "Year of the Elephant", which is a collection of stories written and compiled by Leila Abouzeid. The "title story", if you will, shares the history of a woman who has been divorced and left with nothing to her name, essentially leaving her trapped within the confines of her village. She goes through a period of depression and recounts her life story, her involvement in the independence movement, her marriage to a young man who becomes seduced by materialism. Through all of these trials, she takes on the viewpoint that the colonization that held Morocco in a powerless position is not over, that it has simply been replaced by ambitious and greedy Moroccans wielding power over the disenfranchised--the poor and women. By presenting such a complex story, Abouzeid takes on several cultural issues- secular versus sacred, materialistic versus personal, the powerful overtaking the weak, and of course the classic struggle for the genders to attain equality and more specifically for women to achieve equal rights in a society that basically refuses to give them those rights."
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Media and Relationships, 2007.
An analysis of the effect of television on viewer's satisfaction of the relationships they are in.
2,336 words (approx. 9.3 pages), 22 sources, MLA, $ 71.95
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Abstract
This study reviews current models of thinking surrounding marriage, as it is portrayed in the media. It evaluates how the media influences current thinking about marriage and discusses if that influence has extended to create changes in behavior. The writer hypothesizes that media influences tend to result in a lower level of satisfaction with current relationships for the average viewer, even when one is in a steady and fulfilling relationship.
Table of Contents:
Review of Literature and Rational Section
Introduction/Statement of the problem
Review of Literature
Research Questions and Hypothesis
From the Paper
"The social aspects and effects of television and the media cannot be underestimated. It appears that the role models we set for relationships begin for our children from the very earliest age, and that the affect of media appears to be more significant than the role that we play ourselves in the overall modeling of relationship behaviors for our children and for our peers. It is fallacy to believe that we can live lives like those we see on television - these worlds are not real. Yet do people really base their satisfaction in marital relationship on what they see on television? It would appear to be so, in that we base what we want in our homes, in our garages, in our bodies and in our cupboards on what we see on television. Why not base what we want in our mates on the same thing. To date, while there exists a significant body of evidence surrounding the effect of media images on children and adolescents, there is little which specifically addressed how we see our relationships. Considering the divorce rate within the United States, this would appear to be a statistically significant issue to study and therefore a valid research project, as based upon the literature review."
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