| Papers [289-300] of 16950 :: [Page 25 of 1413] | | Go to page : <— 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 —> | |
|
|
"Journey of Crazy Horse", 2008.
This paper provides a critical book review of "The Journey of Crazy Horse" by Marshall, Joseph III.
1,015 words (approx. 4.1 pages), 1 source, MLA, $ 35.95
»
Click here to show/hide summary
Abstract
In this article, the writer notes that the Native-American historian and anthropologist Joseph Marshall III is the author of many previous books on Lakota culture. But the warrior Crazy Horse is more than an important part of Lakota history in Marshall's estimation. Crazy Horse was also Marshall's boyhood hero. The writer discusses that with the value of adult wisdom and respect, Marshall attempts to craft a biography of Crazy Horse that presents the life of the proud Lakota warrior and leader that transcends the myths Crazy Horse's life spawned in both the tales of Native Americans and white historians. The writer notes that Marshall admits his subjectivity, and states that it is impossible to gain a full portrait of Crazy Horse in an objective fashion, given that the symbol of Crazy Horse has transcended the man who walked the earth. The writer points out that Marshall, instead, offers clarifications about the facts pertaining to Crazy Horse's most famous victory and muses upon what Crazy Horse means to whites and to native peoples today. The writer maintains that this is, given the imperfect nature of history, as clear a portrait as one can access of Crazy Horse.
From the Paper
"Marshall attempts to provide a historical context to the battle, to Crazy Horse's entire life and military career. He persuasively demonstrates that Little Big Horn was not an anomaly, or simply the result of a desire for violence or a violation of the rules of combat. For example, another of this warrior's great feats was winning Battle of the Rosebud also near Buffalo, Wyoming, in which Crazy Horse and his men fought General George Crook only eight days prior to the glorious days of Little Bighorn. There, Crazy Horse established a critical advantage over the federal forces by preventing Crook's men from joining Custer.
"Despite his skill in battle, however, Crazy Horse was not crazy. In fact, no one could be 'crazy' and show the calculated, tactical success he did in the field. Crazy Horse put his people before his own needs. He later surrendered rather at Fort Robinson because he wanted to ensure survival of his Lakota people. But this did not besmirch his reputation in Native American history."
| |
|
The Nature of American Literature, 2008.
An examination of American literature.
1,271 words (approx. 5.1 pages), 5 sources, APA, $ 43.95
»
Click here to show/hide summary
Abstract
This paper examines the nature of American literature. The paper explains that American literature, like many other nationalistic literary bodies has had an evolution that marks changing attitudes with regard to what is to be included in the voice of literature. The paper then looks at how the representation of both women and African-American writers is not the only body of inclusion, as contemporary movements have made significant strides toward the inclusion of almost every immigrant group into the canon of American literature and into the body of publishing in general in history and contemporary works. The paper also points out that the defining characteristics of what qualifies as American Literature is simply that it is a written form, poetry, prose or drama that conveys any point of view of the American experience of growth and change. The writer states that frequently some of the most fundamentally expressive forms of American literature are immigrant literature that explores the real and fictional development of the self, from an immigrant outsider to someone who feels as if they are an American, regardless of the outside view of themselves as a foreigner. The paper concludes that American literature should continue to be inclusive and representative of personal nationalistic growth, as a standard bearer for other forms of nationalistic literature.
From the Paper
"In all representations of immigrant literature there is a clear sense that at almost any given time in America there was a dominant or subjugated immigrant group that was struggling to be accepted by those who had immigrated one, two or three generations before them. America is a nation of immigrants and American literature is finally beginning to express this, without as much of the exclusionary literary academic influences. The transition of an immigrant into and "American" in the self is frequently one of the most important and influential expression of literature, from Latino American literature, to Asian American immigrant expressions."
| |
|
"The Miller's Tale", 2008.
This paper discusses "The Miller's Tale" in Chaucer's "Canterbury Tales" in terms of Chaucer's focus on gender construction and sexual tone.
1,138 words (approx. 4.6 pages), 3 sources, APA, $ 39.95
»
Click here to show/hide summary
Abstract
This paper discusses how "The Miller's Tale" in Chaucer's "Canterbury Tales" has occupied serious significance in the world of literature and literary rhetoric. The paper explains that many question the gender construction in the tale and that some have raised queries about Chaucer's focus on private parts and sexual encounters in the tales. The paper further explains that the Miller in the poem is introduced in vivid physical terms and his physical features are explained in bold letters as to set the tone for the tale. This happens because Chaucer wants to introduce a character that is most concerned with the physical side of relationships as we learn in the tale. This paper concentrates on explaining this.
From the Paper
"Another interesting way of lending decency to the tale was by reversing the role of authors. In Miller's tale it is not the men merely who are authors of dirty jokes, instead Alisoun is as much a part of that as any man. 'Now hust, and thou shalt laughen al thy fille' (3722). Alisoun is not restricted by her gender duties and restrictions. This is one device or method by means of which Chaucer reverses patriarchic system and introduced women liberation. Along with this, it adds art to what could have been a long explicit tale of sexual rendezvous.
"There is one more striking feature of the tale that shows how Miller's tale turns into a work of art. Throughout the tale the author is more interested in showing the preparation for encounters and method of courtly love than in actual sexual scenes. For example Absolon loves Alisoun in the courtly sense. He wants to be her lover not in the bed alone and in fact doesn't try hard to pursue Alisoun for sexual favors. As Kolve puts it, 'What earnest trespasser upon a marriage would go sing to the wife at an hour when the husband lies beside her in their bed?' (187)."
| |
|
The Mexican Borderlands, 2008.
A literary and contemporary review of the Mexican Borderlands.
5,147 words (approx. 20.6 pages), 19 sources, MLA, $ 128.95
»
Click here to show/hide summary
Abstract
This paper reflects facts and feelings about the life of people on the border between the U.S. and Mexico. The approach taken in this research is to review the present day realities of the borderlands - some of those realities being harsh and even brutal - as well as learn what authors and poets and scholars have written about the preceding experiences of people on the borderlands. It contends that the themes that are presented - some sentimental, some poetic, others realistic and historical - are very important to the understanding of the borderland experience.
Outline
Introduction
Present Borderland Realities
Borderlands Experiences Viewed Through Literature
Borderlands Viewed Through History & Scholarship
From the Paper
"When it comes to the unsolved murders in Ciudad Juarez, the numbers of dead and missing vary dramatically, and change frequently. But it is a known fact that over the past sixteen or so years, hundreds of young women have been murdered, raped, dragged to remote desert graves, and in many cases mutilated in and around Ciudad Juarez, Mexico, just across a bridge from El Paso, Texas. The unsolved heinous killings fall under three categories: they are ethnic ("racial") because the women are all Latino (Mexican); they are of a class nature because the great majority of women are working class individuals - low income employees - who are employed in the maquiladora; and third, they are of a sexual / gender nature because all the victims are women"
| |
|
Discourse of "Desire" in 'The Diviners', 2008.
This paper discusses the concept of satisfying desire by looking within, by looking at the discourse of 'desire' in Margaret Laurence's "The Diviners".
1,277 words (approx. 5.1 pages), 6 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
In this article, the writer discusses that in Margaret Laurence's 1975 novel 'The Diviners', desire becomes a vehicle of feminist and personal liberation for the middle-aged protagonist, Morag Gunn. The writer notes that more than anything, Morag desires to find a true, rather than a false identity. The writer maintains that it is not the content of her work, but Margaret Laurence's wisdom, mixed with irony and humor, that brings insight to the reader. The writer concludes that the author writes in favor of a mature decision to cease to yearn for external change, and to satisfy one's desire through internal reflection.
From the Paper
"But it is not movement that gives her peace. Rather it is actively seeking peaceful solitude within, not finding elevated social status or fulfillment in her marital or extramarital relationships. Changing her external geography is not a complete form of self-actualization for the protagonist. The novel stresses that the liberating power of desire is not only found in sexuality or a change of place for a woman, but simply a desire to achieve a complete sense of identity and selfhood in solitude can be just as empowering.
"Morag's desire for authentic selfhood shows her continually wrestling with what society construes as status, and what she believes has real worth and merit. For example, initially, Morag sought her self-actualization through her desire to experience life outside of a provincial town and outside of a life limited by education. But this mode of liberation became stifling because of the relationship she had with her husband, even though he taught at a university. She was still constrained by feelings of inferiority and a sense that she was not living her own life."
| |
|
Niccolo Machiavelli's "The Prince", 2008.
Applies strategies presented by Niccolo Machiavelli in his classic "The Prince" to modern business.
2,085 words (approx. 8.3 pages), 5 sources, APA, $ 65.95
»
Click here to show/hide summary
Abstract
This paper explains that Niccolo Machiavelli's "The Prince" offers a scientific code of action, which distinctly covers axioms for leadership and the leadership process that are relevant today in the business environment. The paper also points out, however, that there are temporal limitations affecting certain validities of Machiavelli's work, especially around his acceptance of war to answer all problems and his belief that all men are evil. Nevertheless, the paper concludes that the concepts that Machiavelli details in his book can be used to motivate an organization's employee, to find ways by which employee productivity can be increased, and to find strategic actions by which the leader's strategic vision can be developed on the market, towards reaching a high level of profitability and, generally, towards increasing the performances of the company.
From the Paper
"Both today and in Machiavelli's times, a cost opportunity evaluation would have helped the decision making process. In using in-house activities, you are able to follow more closely on the production process and better coordinate it. The employees are likely to be more committed in their "fight", to pay more attention to detail and perform better. On the other hand, you cannot use them for other activities, you are limited in your range of activities (as in Machiavelli's times, you took these people away from their fields, for example)."
| |
|
"The Great Gatsby", 2008.
This paper focuses on F. Scott Fitzgerald's novel, "The Great Gatsby" in order to demonstrate that this classic American novel was representative of themes particularly prevalent during the 1920s.
915 words (approx. 3.7 pages), 3 sources, APA, $ 32.95
»
Click here to show/hide summary
Abstract
This paper discusses the history of the United States during the 20th century as being one of upheaval, desperation, affluence, and wars. According to the essay, one of the most fascinating eras during this stormy century is the 1920s, also known as the Roaring Twenties or the Jazz Age. This is the focus of F. Scott Fitzgerald's novel, "The Great Gatsby". In this novel, the character of Daisy represents the spirit of this wild decade. As the socialite of the novel, she attends all the parties she can and acts as Gatsby's constant companion. However, she is also representative of how unhappy even the rich could be when finally realizing that the meaning of life could not be found only by partying. In this, Fitzgerald created the classic American novel that addresses the particular themes that were prevalent during the 1920s. Indeed, Fitzgerald's own life could be seen as a case study serving as a model for the novel.
From the Paper
"The affluence during this time also led to a boost in consumerism (Wright, 2000). Competition between manufacturers increased, with radio and print advertising reaching new heights. Automobiles became important elements of family life and also of Fitzgerald's novels. As such, they were symbols of the prosperity of the time. Perhaps the basic shallowness of the lifestyle during this time with its fleeting pleasures serves a prophetic function in terms of the Great Depression to come. This initial excitement and later disillusion can be seen in the parallels between of the era with both Gatsby's story and Fitzgerald's life. The characters at the beginning of the novel are optimistic and happy, enjoying their wealth and free time. As they move through the novel, their disillusionment with the inadequacy and shallowness of their lifestyle becomes increasingly obvious. The same happens for Fitzgerald himself.
"According to Matthew J. Bruccoli's brief biography (1994), Fitzgerald began his career as writer by submitting stories to mass-circulation magazines in 1919. There is a poetic significance in this beginning. His career begins with a sense of optimism and success, like the 1920s, and like Gatsby's story. During this time, The Saturday Evening Post was his best market, for which Fitzgerald's stories often featured the character of an independent, determined young American woman. This was a suitable preliminary to Fitzgerald's sudden success during 1920."
| |
|
"The Book of the Courtesans", 2008.
This essay is a book review of Susan Griffin's, "The Book of the Courtesans: A Catalogue of Their Virtues".
830 words (approx. 3.3 pages), 1 source, MLA, $ 29.95
»
Click here to show/hide summary
Abstract
This essay discusses Susan Griffin's book "The Book of the Courtesans: A Catalogue of Their Virtues" as a deep and penetrating look into the history of the courtesan profession. The author asserts that Griffin's primary contention in this book is that courtesans have a special place in history; they were neither prostitutes nor part of the immoral underground of European society, but rather a prominent display of femininity during many different eras of Western history. The author also gives a positive personal opinion towards the book.
From the Paper
"Griffin's book focuses on many different stylistic and literary techniques that help to make this both an entertaining and fluid narrative. Her organization of the book is very succinct; she offers the purpose of her book in the introduction by stating clearly that she intends to explain the artistic and aesthetic nature of the courtesan. She continues to advance this position through each following chapter and makes her organizational scheme very understandable. Each chapter works to enhance her position and defend her thesis. Although it may appear through this review that her work is academic in nature, the opposite is true. She carefully hides her thesis and the progression of her 'evidence' through the narrative biographies of famous courtesans throughout the ages. She tells the stories of Veronica Franco of 16th century Venice, Madame de Pompadour of Versailles and many other such courtesans who were able to entrench themselves into the heart of Western society. Through their stories she shows how they practiced their craft and were able to gain 'liberation' from society as a result of their prowess. Her story telling technique makes this narrative extremely digestible and makes her arguments very subtly throughout her work."
| |
|
Maria Amparo Escandon's "Santitos", 2008.
Analyzes the role of religion in Maria Amparo Escandon's novel "Santitos".
940 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
»
Click here to show/hide summary
Abstract
This paper explains that Maria Amparo Escandon's novel "Santitos"
tells the tale of Esperanza, a young woman who has suffered many tragedies in her life yet still manages to find hope and comfort in her unique brand of Christian faith. The paper points out that institutionalized religion is often portrayed as oppressive to female self-empowerment. However, in this novel, as opposed to this conventional representation of Catholic spirituality, the protagonist Esperanza's life illustrates that popular Catholicism is not necessarily misogynistic or male-dominated. The paper stresses that one of the most unique features of the role of religion in this novel is how sexuality and spirituality are openly linked.
Table of Contents:
Story Summary
The Role of Religion in "Santitos"--Analysis
From the Paper
"To find her daughter, whom she believes has been abducted in the hospital and sold into prostitution, Esperanza herself must live amongst prostitutes and enter seedy locations, in the service of her daughter and also the service of the saints. Esperanza first looks for Blanca in a Tijuana then in California. She says that the saints are waiting for her in California--because of the many names of the cities that begin with "San." This reflects Esperanza's often simplistic and naive view of the world."
| |
|
Greek Gods in the Iliad, 2008.
A discussion of the roles played by the gods in Homer's "Iliad" and the human nature of their emotions.
1,487 words (approx. 5.9 pages), 7 sources, APA, $ 49.95
»
Click here to show/hide summary
Abstract
This paper discusses the human nature of the Greek gods in the "Iliad" and how their emotional involvement in the Trojan war largely dictated its outcome. The author gives detailed examples, showing that the gods have the same emotions, characters and attitudes as mortals, and only differ from them in the powers they possess and in their immortality.
From the Paper
"Despite all the battles and the bloodshed, Homer's epic poem is filled with deeply religious and highly emotional elements that saw protagonists and antagonists on both sides as deeply devout. In addition, some of the heroes are sons and daughters of the gods themselves who never make any move unless they consult the oracles. These heroes even make numerous sacrifices to the gods of Olympus to ensure victory in battle."
| |
|
Apology and Crito, 2008.
A philosophical discussion commenting on the conflict between the 'Apology' and the 'Crito'.
1,361 words (approx. 5.4 pages), 2 sources, APA, $ 45.95
»
Click here to show/hide summary
Abstract
The paper is a philosophical discussion about Socrates' belief in the importance of the state over the individual, or individual family interests. The paper comments that Socrates is unwavering in this opinion, to the point that he accepts his own death sentence and does not try to flee. Commenting on this, the paper continues by relating that the conflict between the 'Apology' and the 'Crito', in many minds is that Socrates contradicts himself. He does this by stating in the 'Apology' that if there were a law made that stopped him from practising philosophy he would break it. The paper then goes on to discuss why, in fact, there is no contradiction.
From the Paper
"Through the whole of the Apology Socrates stresses the importance of remaining true to the process of the trial, as the process of the trial is just, as it is a reflection of the power and wisdom of the state, even when applied by unjust men, seeking their own interests. Furthermore, the oaths of the judges are sacred, and should therefore not be swayed with entreaties and persuasive behavior on the part of the accused, as this goes against the nature of the self and the validity of the state. In the Apology Socrates is reported to have said to those who would question why he did not act as other men and defend himself with family and emotional spectacle."
| |
|
Beverly Gross' Essay, "Bitch", 2008.
A review and critique of the rhetorical aspects of Beverly Gross' essay "Bitch".
921 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
»
Click here to show/hide summary
Abstract
This paper examines how, in her essay "Bitch," Beverly Gross writes about the word "bitch" and how she does not like it, because she feels that is only used in a negative way for women. The paper discusses how, on first reading it is a persuasive article tending to make people think twice about using the word "bitch," when describing a woman and how, upon closer reading, however, the critical reader sees that Gross is only using the word "bitch" as an example of the way that women are treated differently than men. The review is based on an analysis of the rhetorical aspects of the essay.
From the Paper
"Gross uses the rhetorical appeals of ethos, pathos and logos to make her argument. Ethos is when the writer tries to persuade the reader by using his or her reputation or experience as a reason. The author tells the reader what it means to him or her. There is a lot of ethos in this essay. Gross makes it very clear that she does not like the word. For example, she says, "The meaning of bitch has changed over the centuries but it remains the word that comes immediately to the tongue, still 'the most offensive appellation' the English language provides to hurl at a woman" and "Something has become someone. The ball-buster is not a disagreeable thing but a disagreeable (disagreeing?) person. A female person.""
|
|
|
