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Identity in "The Hamilton Case", 2008.
An analysis of the theme of identity in Michelle de Kretser's novel "The Hamilton Case".
1,434 words (approx. 5.7 pages), 1 source, MLA, $ 47.95
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Abstract
The paper discusses how Michelle de Kretser's "The Hamilton Case" is a novel which complicates notions of identity, using the post-colonial genre as its method. The paper focuses on Sam, the novel's main character, and his obsession with being exclusively English despite his skin color, his location and his status as the colonized. The paper shows how Sam confuses our ideas of identity, allegiance, nationality, or even right and wrong in the colonial and post-colonial scene.
From the Paper
"An argument may be made that Sam argues for, and inhabits, an integrated Ceylonese identity--one which recognizes its English history, but remains as something separate. At one point in the novel, Sam is mocked by Jaya, who questions his allegiance to Englishness: "[Jaya] snorted. 'A grove, a glade - why use words designed for an English forest? They have nothing to do with this jungle of ours'" to which Sam replies "'English is our inheritance too,'... 'Why shouldn't we mould it to our needs? Grove and palu in the same sentence - isn't that distinctively Ceylonese?'" (de Kretser, 71). At another time, Sam reflects nostalgically on his schooldays, claiming that the culture there was one of integration, despite the backgrounds, religions or races of the students: "'As any Old Edwardian will attest, the prevalent tone of the school was one of comradeship unmarred by racial or religious strife. We spoke English, our only common tongue, to each other as well as to our masters." (deKretser, 26). "
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Kaled Hosseini's "The Kite Runner", 2008.
Looks at the universality of experiences in Kaled Hosseini's "The Kite Runner".
795 words (approx. 3.2 pages), 3 sources, MLA, $ 28.95
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Abstract
This paper describes Kaled Hosseini's book "The Kite Runner" as a coming of age novel. The paper then describes one of the most poignant scenes in the book, Amir's recounting of the great kite battle in which he manages to best every flyer in the neighborhood on a lovely winter's day, to point out the universalities of experience demonstrated in this novel. The paper also compares the details of this scene to experiences of American children and states that something that young people in every culture go through as they mature is the realization that the parental generations is not all knowing.
From the Paper
"The specific contest that takes place is distinctly not American: kite battling. While many American children learn to fly kites, and it is a very popular pastime, particularly on some windy beaches, the idea of battling with kites appears to be a distinctly Middle Eastern sport. The preparation that Amir and his friend Hassan have put into this, however, echoes sports and contests of every type. They have saved their money in anticipation of the contest."
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Meng-long's "Du Tenth Sinks the Jewel Box in Anger", 2008.
This essay is a thematic analysis of Feng Meng-long's "Du Tenth Sinks the Jewel Box in Anger" in terms of gender in 16th century China.
1,759 words (approx. 7.0 pages), 4 sources, MLA, $ 56.95
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Abstract
The essay discusses the themes related to men and women in Feng Meng-long's "Du Tenth Sinks the Jewel Box in Anger", a short story typical of vernacular courtesan romances popular with the 16th century shift towards a business culture prevalent through the Ming Dynasty. Specifically, the author analyzes the relationships between the character of Master Li with his father and with his lover Du Tenth.
Outline:
Introduction
The Economics of Brothels
Male Weakness as Unfeeling Behaviour
Last Remarks
From the Paper
"As a member of Li Zhi's school of writing which stressed human sentiment and behaviour, Feng stressed to the reader how Master Li had acted out of cowardice, thinking that the sale of Du Tenth would permit resolution in the future, that he could return to his family and later have Du Tenth. She is having no part of it, of course, having seen immediately what Sun had placed in Li's mind and how easily he had gone ahead with what seemed a solution. At once, the reader understands that her sentiment has been genuine along with her words, and also, that she is shrewd and when revealing the wealth she had amassed to give to her husband, that she is far better as business woman and person able to manage in the world. For Feng, men are cowardly when ignoring women's feelings, and easily manipulated, or opportunists in the manner of Sun who almost managed to get hold of Du Tenth. Unsurprisingly, in the romantic scheme of things, it is Du Tenth the whore who proves to have nobler sentiment, as well as intelligence. Feng summarized that 'Sun Fu, who thought nothing of throwing away a thousand taels in a plot to steal away a lovely woman, was certainly no gentleman, while Li Jia, who failed to recognize Du Tenth's sincere devotion, was a vulgar person not even worth talking about.' (p.855)
"The crowd wondered why she had not found a mate that suited her beauty and devotion, the whole story most pitiful in that she has suffered for her honesty, risked leaving the brothel behind, believing that she had found her future with Master Li who seems not to appreciate, at all, the radical step that she has taken, placing herself on the winds of fate, willing to go anywhere and face any consequences with the man she loves."
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William Chittick's "The Sufi Path of Knowledge", 2008.
The essay summarizes the first three chapters in William Chittick's text, "The Sufi Path of Knowledge: Ibn al-'Arabi's Metaphysics of Imagination", and goes on to analyze the text and themes of the doctrine of divine names and Finding/Being.
2,000 words (approx. 8.0 pages), 1 source, MLA, $ 63.95
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Abstract
This essay represents an exposition of the first three chapters of Chittick's text called "The Sufi Path of Knowledge: Ibn al-'Arabi's Metaphysics of Imagination", including: the first chapter, "Overview" of Ibn al-'Arabi's life and work; the second chapter, "Theology", with a particular reference to its explication of Ibn al-'Arabi's doctrine of Names; and the third chapter, "Ontology", with a focus on Ibn al-'Arabi's concepts of Being and Finding and the relationship between these important ideas.
Outline:
Introduction
Chapter 1 - Overview - The Divine Presence
Chapter 2 - Theology - The Names of God
Chapter 3 - Ontology
Conclusion
From the Paper
"The first of these sections is entitled "Finding God" which not only provides Chittick with an opening for Ibn al-'Arabi's work that would be interesting and accessible to the lay reader, but also allows Chittick to introduce critical concepts such as relationship between Finding and Being, and their implications for our learning of God. "Finding" in this sense is a rendering of the Arabic word wujud, which in other contexts may be understood as "existence" or "being". Chittick also uses this chapter to highlight differences between concepts as they are understood in the West and their significance in Ibn al-'Arabi's teachings. For example, he note that Ibn al-'Arabi's 'main concern is not with the mental concept of being but with the experience of God's Being, the tasting (dhawq) of Being, that "finding" which is at one and the same time to perceive and to be that which truly is'."
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Literary Journeys, 2008.
Describes the literary journeys of Kenneth Grahame, Gwyneth Lewis, Sujata Bhatt and J.D Salinger.
1,335 words (approx. 5.3 pages), 7 sources, MLA, $ 44.95
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Abstract
This paper explains that each of the pieces of literature in this paper involves a journey. The author points out that, in each work, the author enters a world of the written word and writes in ways reflecting a particular outlook. The paper relates the journey of Toad in Kenneth Grahame's "Wind in the Willows", of poet Gwyneth Lewis in first-person simile "Fax X", of poet Sujata Bhatt's journey from India and of Zooey Glass in J.D Salinger's "Franny and Zooey".
From the Paper
"This is poetry, sophisticated, complex, a stream of images, in which passivity - things being done to the characters in the poem - and activity - the actions of these characters - blend together. "We" are taken into the new day as if on a cruising ship. This poem reflects a world in which the journeys of life are more inflicted than chosen. While Toad chose his journeys, the "we" of this poem are taken on the journey, with no real expression of choice in the matter."
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"Londonstani", 2008.
This paper highlights the in-between position of the narrator in "Londonstani" by Gautam Malkani.
1,138 words (approx. 4.6 pages), 1 source, MLA, $ 39.95
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Abstract
The paper examines how the narrator in "Londonstani" occupies a position that enables him to give voice to the complexities of identities for a young Sikh Asian in a thoroughly Westernized context. The paper discusses how this in-between position makes him ideally placed to also comment on the other characters. The paper conveys how the narrator is, therefore, an ideal vehicle for Malkani to convey the complexities of the "Londonstani" experience.
From the Paper
"Every maturing adolescent is faced with the challenge of forging his or her own identity, often choosing aspects from the variety of role models that surround him or her. This process is particularly hard in the challenging multicultural context depicted in Londonstani. Jas and his young Asian friends are part of a minority - a minority that may be targeted with the insulting word "Paki," even though they are British-born, although in the book this does not actually happen. Moreover, Jas is more in-between than his friends, due to his unenviable status as a "sap" or nerd."
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"The Turn of the Screw", 2008.
This paper examines the theme of death and silence in the language of "The Turn of the Screw" by Henry James.
1,188 words (approx. 4.8 pages), 4 sources, MLA, $ 40.95
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Abstract
The paper analyzes how the lack of sound in James' novel "The Turn of the Screw" represents the fear of death that accumulates in the ghostly images. The paper shows how these images represent the governess' struggle with silence and her inability to maintain control over the children and the household.
From the Paper
"The theme of death in The Turn of the Screw arises through the construct of the silent interaction between the dead and the living. When the governess is placed in charge of Miles and Flora, there is markedly silent aspect of communication that arises during her care of the children. The first representation of silence arises when the governess sees Peter Quint's ghost. He is extremely pale and becomes the first major aspect of James' language that defines death as a threat to the governess's duty to protect the children from intruders."
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Double Vision in "The Great Gatsby", 2008.
This paper examines the double meanings in Scott F. Fitzgerald's novel "The Great Gatsby".
926 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
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Abstract
The paper discusses how the story "The Great Gatsby" is about the lives of rich people who lead glamorous, romantic and exciting lives but, at the same time, is about characters that are crude and corrupt. The paper explains that by telling the story in an ambiguous way, Fitzgerald makes the point that the selfish pursuit of the American Dream is empty and based on moral corruption.
From the Paper
"The central character in this novel is Jay Gatsby. Yet even this central figure is ambiguous. For a start, Jay Gatsby is not his real name - his real name is James Gatz. This prosaic name shows the reader that the reality of Jay Gatsby is much less romantic than he tries to pretend. On the one hand, we may see this as romantic - James Gatz is following the American Dream, trying to become more than he was when he started out in life. But on the other hand, he is living a lie. He is not Jay Gatsby; he is James Gatz. The fact that Gatsby lies about something as basic and fundamental as his name signifies that he is also lying about something even more basic and fundamental - he is lying about his basic character and morality."
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Childhood in "Girl with a Pearl Earring"., 2008.
An overview of the novel "Girl with a Pearl Earring" by Tracy Chevalier.
1,243 words (approx. 5.0 pages), 1 source, MLA, $ 42.95
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Abstract
This paper provides an account of the book "Girl with a Pearl Earring" by Tracy Chevalier, describing some of the experiences of children in this novel and explaining the factors that influenced their treatment. The author then continues to compare the experiences of these children to today's childhood. In addition, based on the evidence, she draws a conclusion about the value of studying the past and comparing it to the present.
From the Paper
"This novel presents an interesting comparison between the lives of children in wealthy homes and in poor homes in seventeenth century Delft. Griet at 16 is young enough to remember her happier childhood with her brother and her sister. However, Griet is also old enough when her father loses his eyes to a kiln accident to realize that her chance for a better future rests on her making a good marriage. Those chances are seriously reduced when she has to go clean house to help help her family. Griet living elsewhere will reduce the reduce the strain on her family's ability to support itself, but the eight stuivers that she makes each day will also provide financial assistance (Chevalier 6-8). Griet is not the only child who is working in the family, however. Her brother, Frans, is also employed as an apprentice at the age of thirteen. Clearly the apprenticeship was not a result of the accident, given that their father had "saved hard to pay the apprentice fee" and had planned to set up a tile factory with his son (Chevalier 10)."
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Harry Potter: A Heroic Myth, 2008.
This paper explains the widespread appeal of J.K. Rowling's "Harry Potter and the Philosopher's Stone".
1,851 words (approx. 7.4 pages), 5 sources, MLA, $ 59.95
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Abstract
The paper explains that the Harry Potter series of books is so popular because it is a classic example of heroic myth and specifically, monomyth. The paper refers to C.S. Lewis' "The Lion, the Witch and the Wardrobe" as another example of the monomyth. The paper then explores the enduring, powerful hold that myths, and especially monomyths, exercise over the minds and imaginations of human beings in general.
From the Paper
"It is necessary to first consider what we mean when we use the term "myth." In this essay, the term is used in much the same sense that Barthes intends, when he argues that any story can be a myth, and moreover that it "can be seen that to purport to discriminate among mythical objects according to their substance would be entirely illusory: since myth is a type of speech, everything can be a myth provided it is conveyed by a discourse" (Barthes 109). This then is the starting point - the discourse in the first Harry Potter book, Harry Potter and the Philosopher's Stone, is a discourse that we can describe as a myth. It is this kind of discourse that appears to resonate equally for all human beings, and this helps to explain the widespread appeal of Harry Potter and the Philosopher's Stone."
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Madame Bovary as Film and Novel, 2008.
This paper discusses 'Madame Bovary' as a novel by Gustave Flaubert and as a film by director Vincent Minelli.
1,260 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
In this article, the writer discusses that in trying to bring 'Madame Bovary' to the screen, director Vincent Minelli had the problem that much of the story depended on Gustave Flaubert's brilliant narrative. In a novel, Flaubert's crafted sentences had held readers' attention for decades, but a translation into film seemed an insurmountable obstacle. The writer notes that Minelli found a device, by which he could have a narrator, a character playing Flaubert, introduce the movie, and at various time move the plot along. To do this, Minelli opens not with the novel itself, but with the trial of Gustave Flaubert on charges of presenting a morally degenerate woman as his heroine, thereby threatening to corrupt the morals of all of France. The writer maintains that as a novel, Madame Bovary remains a standard of the literary canon, one of the premier examples of realistic fiction, and effectively a benchmark against which much of modern realistic fiction is judged. The writer concludes that the movie is regarded as creditable, however it is not considered one of the great cinematic classics. A modern viewer sees the artificiality and yearns for more realistic movement in this movie version of a realistic novel.
From the Paper
" Trying to defend the movie, Flaubert paints a reasonable picture of the farm to which Charles Flaubert, a young doctor, has come one rainy night to attend to the broken leg of Emma Roualt. After he has set the patient's leg, he and Emma meet, and they are smitten with one another, he because she is a beautiful young woman, and he because she imbues him with a host of romantic ideals that he simply does not have. By his own confession, he is a rather simple, hard-working country doctor, but she declares him to be the most handsome and dashing man in the world."
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Scapegoating in Arthur Miller's "The Crucible", 2008.
This paper demonstrates the theme of scapegoating in Arthur Miller's "The Crucible".
972 words (approx. 3.9 pages), 5 sources, MLA, $ 34.95
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Abstract
This paper discusses the societal need to seek scapegoats, as demonstrated through the play, "The Crucible", by Arthur Miller, which aims to link the 1950s issue of McCarthyism to the colonial witchcraft trials in Salem, Massachusetts. The paper goes on to explain that although the event in Salem was presented by some as an expression of religious fervor directed at a perceived evil in the community, Miller sees the time as a hysterical expression in society to find and identify an enemy. Furthermore, the paper explains how a broad-based social crisis contributes to scapegoating.
From the Paper
"Terry Otten sees the drama as following a pattern he finds in many Miller plays as innocence is destroyed by temptation, in this case the temptation to denounce others and so to assert a sort of higher innocence based on religious fervor. Otten says that 'the play is constructed on a conspiracy of silence in which characters do not divulge the truth about others--or, more importantly, about themselves--and gradually fall prey to a deceit so pervasive as to be believed' (Otten 61), and it is in the conspiracy that innocence is lost. For Miller, this was an apt description of what was taking place in the McCarthy era, and it was the conspiracy of falsehood and of silence in the face of falsehood that he decried and found so damaging."
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